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I compose music. But I’m brown.

Luis Enrique Jimenez Jr.,
Los Angeles, CA

IT’S TIME TO LET CLASSICAL MUSIC DIE

By: Nebal Maysaud

Western classical music depends on people of color to uphold its facade as a modern, progressive institution so that it can remain powerful. By controlling the ways in which composers are financed, it can feel like our only opportunities for financial success as composers are by playing the game of these institutions.

It’s time for us to recognize that engaging with these institutions, that contributing to the belief that our participation in composer diversity initiatives is doing anything to reshape the institution of classical music, and that classical music is an agent of cultural change instead of a placeholder to prevent composers of color from forming our own cultures, is ultimately furthering colonization and prevents us from creating artwork capable of real, genuine expression.

Writing for an audience of rich white people is no longer a priority of mine. Instead, I want to create music for my community. Instead of contributing to white culture and helping them erase my own narrative, I want to use my ability to create art to keep my culture alive.

As long as people of color are making art, culture stays alive.

This mission is entirely against the nature of white supremacy, which seeks to replace non-white cultures with their own fantasies. Therefore, I will not find support in this endeavor.

Love Classical music and I’m black

Yolanda,
Lithonia, GA.

It’s very tiring an disappointing to hear many in my community say to me “You like white people stuff”. I would like to know exactly what’s classified as “White people stuff”. Since when did enjoying a good Opera or visiting the local symphony considered something only expected or FOR one race of people. What’s considered “Black people stuff”? I love who I am and love that I embrace all genres of life. Simply put I like “PEOPLE STUFF”.

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